Christopher Anderson's Approximate Joy, now on view at Danziger Gallery, portray a contemporary China in the midst of perpetual reinvention.
The photographs use tight cropping and extreme close-ups to create an intimate viewing experience, stripping away all context except for the artificial light that highlights the subjects' faces. This focus on physical form provides a sensual viewing experience that allows the viewer to discreetly observe and contemplate the subject's identity and thoughts. The goal of these photographs is not to document actions but to explore the potential for connection and self-recognition.
