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Features
Christian Quin Newell: A Dream Sequence
As soon as I first read about the practice of London-based Christian Quin Newell, I knew I wanted to interview him. His show there this past summer at Public Gallery was a collection of—and I direc
December 20, 2024
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Features
Tim Conlon the Freight Painter
We have a longstanding romance with the American train, a slow and poetic vision that crosses rivers, slices through mountains and connects towns, cities and new frontiers. The railroad has been the
December 19, 2024
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Magazine
On Top of the World with Kyndacee Harris
Kyndacee Harris is busy painting, otherwise I’d ask her to run for office. She had me at first glance—a painting of her own elementary school drill team—and again when I looked her up and found
December 11, 2024
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Features
Anthony Cudahy: The Inflections of Somebody
It begins with a space. The original, creaking floors of GRIMM's Tribeca space brings out something special in the viewing of Anthony Cudahy’s paintings, a show I wanted to see before speaking with
December 09, 2024
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Magazine
Poetry and Paintboxes in Provincetown: Documenting the Legacy of The Fine Arts Work Center
Art residencies are like idyllic adult summer camps, and although the Fine Arts Work Center has a fulsome summer program, their fellowships take place when a knit cap and down vest are appreciated. T
November 27, 2024
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Features
The Winter Cover Story: Clayton Schiff and a Left Turn at the Far Side
We rarely know what to do with the absurd, let alone define it. We might say to ourselves, “Oh, life is so absurd,” but indeed, is it just an endless sequence (maybe an array?) of illogical event
November 25, 2024
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How To Arrange a Dinner Party (While the World Burns): An Interview with Nicholas Bono Kennedy
Nicholas Bono Kennedy has captured a mood in Dinner Party (While the World Burns), on view at Hashimoto Contemporary. There is the overwhelming contemporality of it; the idea of living your life
November 20, 2024
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Getting Dangerously Silly: An Interview with GATS
Playfulness isn’t typically associated with danger, especially in the graffiti scene. But for artist GATS (Graffiti Against the System), play and a bit of whimsy have become integral parts to stayi
October 31, 2024
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Abram Jackson on the Art of Interpretation
Accommodation, Attribution, Appreciation, Appropriation… am I complicit or complacent? If truth is beauty, and beauty is truth, then is a rose just a rose, or is it possibly more? A house is full o
October 23, 2024
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Features
Hannah Wilson: Cinematic Mode
Embedded in this interview is a required watchlist: Motion pictures that catalyze the arresting paintings of Hannah Wilson (who was recently on our Radio Juxtapoz podcast). While film stills launch i
October 21, 2024
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Interview: Angela Burson’s Latest Paintings Encounter the Strange, the Uncanny, the Unknown
What do we take away from an encounter with a stranger? Generally speaking, theWhat do we take away from an encounter with a stranger? Generally speaking, theoddities—the aspects of the encounter t
October 15, 2024
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Natia Lemay: The Act of Being Seen
Natia Lemay entered her first gallery space when she was 33 years old. This feels quite relevant to reference as we look at the trajectory and backstory of the artist. Born in Winnipeg and now dividi
October 07, 2024
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